Spiral Dynamics - Stage Purple
By Leo Gura - August 12, 2020 | 94 Comments
The tribal, animistic stage of human psychological development
Nothing can beat that creepy, dark and ambiguous atmosphere that a 90s anime can give (BerserkAngel’s Egg (from the 80s), Ghost in the Shell)liked by mostofus
psychologically speaking digital animation looks wrong to the human eye BECAUSE of the lack of imperfections this also why CGI looks bad in anime. allow me to explain:real life is dirty everything has a texture, scrapes imperfections, stains more because of this we grow used to these imperfections since they’re all around us digital animation however is free of these imperfections and textures, so it looks fake.the myth that we only use 10% of our brains is just that:a myth however we don’t constantly use our brains to their full capabilities at all times and a fair amount of information from our environment gets compiled and processed by our subconscious allowing us to focus on what’s important .however just because we don’t focus on something doesn’t mean it goes unnoticed have you ever noticed that you’re more tense than usual during a power failure? this is because the machines that usually produce ambiance in our environment aren’t working,we notice this subconsciously.it feels wrong because our world is unexpectedly different,something isn’t quite right.STAY WITH ME GUYS, I’M GOING SOMEWHERE WITH THISDigital Animation DOES NOT possess the imperfections that we are used to seeing in our everyday lives. therefore, when we look at it while we may not notice it immediately, SOMETHING looks fake and some ancient, animalistic, instinctive part of our brains sits up and pays attention. because in the wild, when things don’t seem quite right, that usually means we’re in danger.that grit those scrapes the texture of the paper, they make every moment of the action feel more like real life things look more real with them they seem more like they exist since they DO exist this also occurs in live-action productions.original battlestar galactica for example had a degree of realism to it that the remake didn’t simply because everything had to be done in a physical medium thereby creating the imperfections that the CGI heavy remake just couldn’t have the phenomenon of things looking TOO perfect even has a name:the Uncanny Valley it’s the reason why people can be afraid of dolls why we feel uncomfortable in clean places why digital animation and CGI doesn’t look good.2 years agoliked by 256 humans who watch this
I personally think older shows feel grittier. Even with bright colors, it didn’t feel artificial. Which is weird to say when talking about animation. But we live in this world of Flash Animation but 90s animation will always feel better. And that’s not just Anime. Series like the Animated Series Beyond are awesome to watch to this day. I like modern anime too but animation and art work is hit and miss now a days. And I hate CGI being mixed in with 2D animation unless it’s done correctly. But most times it’s not.
Dragon ball super feels so wrong because of digital animation, the scenes and the characters don’t look like themselves
2 years ago liked by 103 humans who watched this important video
I do miss the old style anime 2 years ago liked 73 There are things that can be done traditionally that cannot be replicated digitally no matter the level of mastery. Because traditional art is so tedious it makes you really think about what your doing because it cannot be deleted in a split second. I did digital art for years but went back to traditional for a warmer feeling. It’s more fun to do things with my hands, to have paint under my nails, to have art with a front and back.
2 years ago
One of the reasons I dislike japnese animation these days is because I can’t stand looking at the digital artwork, and the mass production of anime makes so many series’ artstyle seem copied and pasted. From the middle 80 s to the late 90 s I think japanese animation was at it’s visual best.
Japanese animation AKA was an art form in the 20th century which required skill, patience, and yes capital in order to create an artistic masterpiece. There is a certain dexterity found in two dimensional animation that was hand-painted and hand drawn which can never be imitated by software programs. You can actually feel the the human touch of old school ajaoanese animation series and OVAs. The same cannot be said for a majority of shows or movies made in the 21st century. The problem is that computer systems are designed to remove all errors. In a way, the end product looks ,”too perfect.” Old school anime did have animation errors, but that allowed for a human feel to it. Finally, I also want to state that oversaturation is in fact a very bad thing. As I mentioned earlier, a true masterpiece takes time and effort. The end result is more often than not, a beautiful memorable piece of work. Today, the anime industry is over producing one show after another, in the same manner as how a factory churns out cheap imitations of an original product. The stories are almost always the same, boring, and cliche. Most of the shows will be forgotten within the span of two years. If the anime industry continues to be this way, in all likelihood it will diminish with time
very time I watch old anime, I just feel happier and more excited with the art and visuals. Sure, like you said, there are shows nowadays that do something wild and amazing but the impact old shows have with their scenes just feels more authentic to me. Even though there are many similarities (like art styles, how people emote themselves, and what with old shows, just like new ones, there is a genuine uniqueness to each old anime that cant be emulated nowadays Also I just love the old style character designs
I realized that older animation had that realistic feeling to it since backgrounds were hand-painted. I absolutely miss the traditional animation style. I think something that I also missed about that era of anime is the level of style added to the characters. Characters felt a lot less cookie-cutter and more individualized. When I was young characters felt unique and iconic where many characters now feel very copy paste
After checking out so many classic series and movies in animation I have to say that I really do prefer traditional animation not saying the new stuff but the way that series like are able to immerse you and create a captivating atmosphere is something that I find sorely lacking in a lot of new animation
I love the old school style hand drawn animation style because it gave animators a style and direction that made something more unique and different then some shows in recent years.
It’s the same debate that filmmakers have about film/digital. The rise of digital technology made filmmaking accessible to everyone and productions run FAR faster than before. Yet one cannot deny that Film has a texture to the footage that looks absolutely gorgeous. Which is why it was a big deal when The Force Awakens announced it was to be shot in 35mm.
The old cardcaptor sakura had this beautiful aesthetic about it, especially when the episodes were at the dark, an example is when Sakura was tested to become the master of Yue and Kerberos. The new ccs is not bad but it just doesn’t have the animation charm of the first one, the characters are drawn kinda like regular flat characters, unlike the first one which made them look beautifully distinct. disappointed with the animation and transformation sequences, at least they improved at the infinity arc. Sadly both of them are missing the beautiful aesthetics of the 1990s anime era
adore the art style of the older works by clamp but can’t really get into the newer stuff because it lacks a certain charm to me. I mean, I like Clear Card, but the visuals just aren’t the same and it throws me off.
Japanese cel Animation up to 90s was done by:1Drawing the key frames with characters and other moving objects on paper (this is still mostly the case for modern anime, and particularly for DBS). These drawings are called genga,they’re draw with special color coding by so-called key animators.2Draw corrections on top of the key frames, to maintain consistency or to fix mistakes. These correction sheets were made by animation supervisors.3Draw intermediary frames in-between the corrected key frames, to smooth movement on screen. These frames are drawn by in-between animators. The final result of this process is called douga, and are specially color-coded drawings that you can directly copy into cels.4Copying these drawings into transparent cels made of acetate,paint the cels with the required colors.5 Superimpose cels with the background (at the time, normally watercolor painted on cardboard),maybe with other cels containing other characters forming a complete frame of a scene.6 Photographing the cels sometimes using special lighting or other effects So why are cels expensive? I see a few reasons:1 You’re owning an intimate part of the production process Sure contrary to a genga these cels weren’t made by well-known people but they’re still much closer to them than a DVD.2 These cels were handmade by a basically extinct process. No one does cel animation these days: while the key frames may be drawn on paper, they’re eventually digitally scanned. So you’re owning something with historic value.3 The detail on some of these cels can be really impressive and the cels themselves quite beautiful See this one for example.
Traditional animation is a technique in which each frame is drawn by hand on clear celluloid sheets and placed over a static background image to create a composite image. This process can be divided up into several basic stages, although this guide will cover those aspects beyond just that of the animation itself. This overview will take a look at the traditional cel animation used by cel Animation to produce an animated series, from its original concept to the final product.
Hopefully Japan brings purely traditional animation back because the computer animated just looks like the same boring movie…over…and over again. Great video!!!
I always wanted to animate, but never liked digital art that became so popular in my generation. Now, I am not insulting digital artists, but it just isn’t for me. But lately I have been practicing more traditional animation (like 30 seconds to 1 minute scenes) and I am starting to actually like what I draw. Anyway, just wanted to say thank you for the inspiration.
They have copy machine that transfer drawn on paper to a plastic cel paper , so if a painter ever mess up , they would have to look figure out what scene and what frame number this copy is recopy the original drawing and start over
Barbara says: one of the worst videos leo ever made, In sense of grasping the essence of what purple really is if healthy. shows a lack in the integration of what healthy community means and a lack of how he integrated green. sorry leo, if there is truth there is also non truth – most examples confuse purple with red or blue tendencies which are contained in purple from where they develop.
like with the turquoise video, you did not integrate green enough to understand.
barbara says: which does not mean this is a critique, it just means if it is so obvious that you did not get these stages conceptionally it is probably really better to refrain from making videos about them, as it is misguiding. and obvious for those having had glimpses of turquoise, it is a shadow video. of course if purple is toxic it is showing in a toxic blue or red, or lacks vision, or is disillusioned.
Female-on-male violence viewed as more acceptable in life than male-on-female violence. Often,women using physical violence on men will be Played for Laughs; sometimes it will be Unfair hypocrisy in most works where this trope is in effect, it would be completely impossible to imagine the same violent situation play out with the participants’ genders reversed without a large dose of drama getting added into the mix.basic Double Standard at work in this trope sexist on both sides no woman strong enough to harm a man so any man weak enough to be harmed by a woman isn’t a real man, and that’s funny
This is great, I really wish cel animation was still popular, digital animation just seems lifeless compared to it. Cel just has a unique look that is very charming
I think that cel animation is still popular as proven with the reception received in this video. It’s just a matter of studios interested in trying this technique over digital ink and paint
Don’t worry, if you dedicate a certain amount of time working on your animation (like 12 or more frames a day) your dream will come true. Especially since shows are willing to get your story boards you must be writing very compelling stories. Nothing resonates more with people than traditional cel animation with a great story
I can easily see someone spending a decent amount of time and money to create a full on cel animated movie. Same here!! I wish cel animations were still used today, along with film, since they have alot of character and charms to it, and is very high quality indeed. Good ol’ days of animation
l stopped watching digital anime years ago, this got me hooked, somehow old animes look fresh and much more fun instead of generic animes nowadays
Old traditional purely handrawn handpainted cel anime is better,as irreplacable
as all the unique unparallelled geniuses combined from the oldest genius to the
infinitely younger geniuses who are born later century after century in neverendin
real life
Well it’s confirm I hate modern digital computer reliant anime there is no more soul in it Any more .
80s anime is better than today’s anime, period because of purely handrawn cels
in purely traditional handrawn handpainted animation never too modern or digital
Pat says: What the heck is up with the comment section lately
man, this really highlights how much care and hard work goes into making just one frame in a traditional cel. so much of labor to get those clean precision lines. add to that the monotony of staring at the same image that only slightly changes with each cel over the course of a few frames and its hard not to respect the dedication of each person that does the original pencils, the inking and then the paint fill. its easy to see why so many studios go with simple designs over such quailty design. it takes far greater patience to do such work
I love traditional cel animation so much. Yeah there’s been some fantastic 3D movies like Finding Nemo, but handrawn cel animation just feels so much more alive, vibrant, expressive and emotional.
3D just feels very….forged.
I really hope Bluth brings back purely traditional handrawn cel animation again and we get more beautiful movies from him again.
this is so amazing. i love the look and feel of cel animation and i seriously cant wait for this really would love to see it animated with these, the old fashioned way. It really is a dying art.
Wait, your using the classic original Cel animation technique? I thought that was long gone after “Sleeping Beauty”.
What is the metal pointer used to hold the cell down and where can i get one? What kind of ink and pen are used in the inking stage of the cel?. i understand how the painting of them works but inking seems to be elusive Where can I buy the tool used to hold the cel in place? What is it called?called a peg bar. You can find many websites that sell them.
I miss actual handdrawn animation, especially theatrical animation. It’s timeless, and it ages better. think drawing by hand (traditional) is the best way to really express emotion and movement.
AcetateThe clear sheet used to create animation cels, more stable than nitrate.Cel
A cel (short for celluloid) is a sheet of clear acetate or nitrate which is hand painted then placed over a background and photographed. The outline of the character (hand-inked or xeroxed) is applied to the front of the animation cel. The colors are hand-painted onto the back of the cel.
This video shows how to colour animations in 2D traditional animation methods. Inking and painting of animation is a Production process where the frames are painted. In the past when the animators complete the final drawings they ink and color it with black ink. But with the changing technology animators introduced a big range of color palette rather than using monochromatic scheme of black ink. This process is special because color is not directly applied on paper. So let’s see the process, where we have a character sketch and a background with a rough animation, now will start from clean up of rough drawings.
Traditional Ink and Paint Process:Each cel involved in a frame of a sequence is laid on top of each other, with the background at the bottom of the stack. As the cel of one character can be seen underneath the cel of another, the transparent quality of the cel allows for each character or object in a frame to be animated on different cels, and the opaque background will be seen beneath all of the cels In order to flatten any irregularities, a piece of glass is lowered onto the artwork and then by rostrum camera (a special animation camera), the composite image is photographed.The camera is then used to create pans, zooms, and rotation on the including overlays as well as animated transparency and blur effects. Once all the layers including overlays and background are animated, they are composited and output directly to video.
I prefer cel animation. The darker colors and grittier style shows had back then are more appealing to me. Especially when it comes to darker or grittier shows, cel animation does a better job in portraying them, digital animation is simply too “shiny” and “colorful” for that
digital animation looks too smooth and perfect which always makes the characters lifeless. that old Hand Drawn Cell animation was a little rough around the edges, imperfect which as you said gives it a grittier feel, which I think adds more depth and nuance and LIFE in to the visuals of the characters. I can’t stand the look of modern anime.
My biggest regret regarding the state of digital animation is background art, especially in TV. It seems the artists have become lazy and use multiply and linear dodge transfer modes to create their lights and shadows quicker. In the process, they lost their understanding of the physics of light and we end up with environments that have dead shadows and over saturated highlights. Everything looks either dull or neon. Beautiful environments are few and far between nowadays.
why does it seem that modern anime lost all its style and unique-ness? characters look so generic these days.
the hand painted cels and background art look absolutely jaw droppingI like hand drawn anime much better. It feels more realistic to me.
I feel like anime died when it made the jump to digital animation or mabey their’s still too many people in this industry who are too lazy with their artistic styles Ma I prefer the look of cel animation
I have always had the impression that digital animation is missing detail and character in it’s animation compared to cel. Obviously cel is vastly more expensive and time consuming but because you employing someone to sit down a paint and draw onto plastic film you are effectively painting on canvas just on plastic instead and layering that up. In other words it’s paint work vs a digital painting
I don’t like the look of newer anime nor do i like new anime in genreal. I love the feel of old school stuffI only watch old anime now from from the 70s to the 90’s
you don’t want to lost your traditional animated roots. the best hand drawn animation I’ve ever seen….way back in 1990-1991.
The old school cel animations made the characters look more realistic and grittier, especially if it was for gritty shows. New digital animation looks too shiny and plasticy for my taste, and when they do use something fully CGI instead of something hand drawn, it looks as bad as it did in the 90s
I also prefer more the cel animation and colors of the older anime. A lot of 2D digital animation is too “clean.” I don’t like it as much
Cel animation will always be superior. This is specifically Japanese animation. Although the techniques will be similar, every country will have their own, different heritage. When Anime went digital it lost depth.
Look when manga was done digitally mac fill manga was very cheap looking compared to being drawn by hand do miss their old skin shade and wacky 90s hairstyles from back then also the fact they had an actual nose instead of a dot like now. Anime guys look ugly af though now, I don’t like how they gave them an androgynous look with crazy big eyes like Kirito I prefer the smaller eyes and normal male jawline they had back then.
Cel shading tradional way is still the best looking I hate modern digital anime Nothing beats the character that hand-drawn animation gives to the story
There are things that can be done traditionally that cannot be replicated digitally no matter the level of mastery. Because traditional art is so tedious it makes you really think about what your doing because it cannot be deleted in a split second. I did digital art for years but went back to traditional for a warmer feeling. It’s more fun to do things with my hands, to have paint under my nails, to have art with a front and back.
I always prefer cels, to be honest. The color seems more “organic” (if that makes sense) and the film grain can make a still drawing look more alive than still digital animation. Of course, I collect cartoons on 16mm films like Ranma’s original looks
Not everyone gave up on cels completely, though.Reliable Japanese cartoons is still painted on cels I’m currently working on a short film with the intent of using cels (actually overhead sheets) and photographing them with 16mm camera.
I like the cel animated look because, like naktak said, it looks more organic to me than digital. More visceral. I don’t mind the occasional grain look. For me it just adds to the ambience.
all that work people had to do back in the day just makes me appreciate old traditional cartoons even more. Think about it: not only did every frame of every character have to be drawn by hand, but also every bit of their coloring. A lot of work, but that’s what made it such a fantastic unparallelled irreplacable art form.
Cel animation can often more realistic color schemes and look less mechanically produced, plus you can make out certain objects in much more detail Cels definitely look livelier and more natural I prefer cel animation it’s more fluent, more natural, and much livelier (anyone hear an echo?)
I’ve tried Cells before, they’re quite the challenge, but that’s part of the fun of traditional animation. Digital animation deserves as much respect and attention as cells, sure it’s technically easier, but with the right color scheme it can hold its own weight. when done well. Cel is sort of like the vynl record of animation; It offers a deeper, richer look, but, often comes with imperfections. Scratches, hairs, dust. This stuff doesn’t bother me at all, I hardly notice it.
Cels are shaded in warm colours, backgrounds are shaded in cool colours.Golden
fluid acrylics are even better than the cel vinyl paints why they dry flatly purely all
day no need to coat a second time on the same spots for mistakes just important
healthy detailed unique decorations
My goal is to bring back pure traditional hanrawn acrylic paint watercolour celloids
anime in japan have the exact same tools used to mske the first 30 episodes of
Ranma 1989 because I hate how the art style changed to bigger eyes they lost
their preteen teenage charm not to machine they seems to gain more weight
should have never changed the art style for snything these teenagers look more
like fat unrealistic adults with generic faces
If you’re interested in being a traditional animator (meaning hand-drawn, paper and pencil animation) you have either come across or will come across the term “peg bar.” But what exactly is a peg bar? And do you need one to be successful?
So a peg bar is a piece of plastic, or if you get fancy a piece of metal, that is meant to hold your papers in place when you draw and shoot your animation. Here’s an example of one from ACME (yes the company name is ACME). You punch your paper and stick it onto the peg bar as you draw.
A peg bar not only holds your papers in place when you’re drawing them but when you remove them from the peg bar and later place them back into it when you’re shooting your hand-drawn animation, it makes sure that the paper goes exactly where it did last time so your drawings stay in the correct place.
If you can see in the picture the peg bar has one circular stub in the middle and two rectangle stubs on either side. The rectangle stubs make sure it aligns itself up and down, and the circle makes sure it aligns itself left and right. It’s a little weird, but it works amazingly.
There are some workarounds you could do though, you could use a regular hole punch and get a peg bar that has three circle pegs rather than the fancy-schmancy square ones. Those work well also but not quite as perfectly as the square ones, your pages will move around a little bit more with all circles.
An Inexpensive Work Around
Luckily for you, though we are the cheapest of the cheap and have a pretty decent workaround for you! Index cards! First off they’re already pretty much a 16 by 9 aspect ratio which is super handy when you’re laying out your scenes and stuff. Next, they are cheap as dirt and you get a bazillion of them for next to nothing which when you have to draw a million images helps a lot. But how do you make it so they all line up?
Since they’re smaller and you’ll be using the whole index card rather than a portion of a paper page it actually becomes easier to line them up when you’re shooting them because the chance that you’ve drawn one image farther away than it should be on the next card is smaller. So how can you line them up? By using some masking tape!
Put down your first index card and make a little stack of masking tape, maybe 3 or 4 layers of it in the corner of the index card so it slides snuggling up against the tape. You’re making a little corner wall out of the tape, so each following index card you can just slide into that corner and have it pretty much lined up with the previous card.
We’re sure you can figure out other ways of doing some clever workarounds but the index cards is a nice simple one that we find works and doesn’t take that much finicking to get it to what you want. It’s not as exact as a peg bar, but it’ll do.
So a peg bar is a tool that makes sure that your frames line up exactly as they did when you originally drew them the next time you put them on the peg bar. They’re not super necessary and you can do without one, but they definitely help!
what is a keyframe? And what is a keyframe artist? Let’s find out together, shall we!
Animation, as you may or may not know, is a series of drawings strung together to create the illusion of movement. When an artist sits down to create an action for his animated character he or she will have to draw out the entire action in all it’s nuances if they want to create a compelling piece of animation to watch.
One successful way to do this is by using keyframes. In hand-drawn animation, a keyframe is a specific frame within the animated movement that the animator uses as a guide to building the rest of his work around. It is literally a keyframe, key as in important not key as in key like a door key.
Let’s say we are animating someone throwing a baseball and we need to figure out how to get started. We can start by selecting a few keyframes and working from there. Maybe the first keyframe is him getting ready to throw the ball with it in his mitt.
Building the Rest of the Animation
From those keyframes, we can work and build in the rest of the animation. There is no set determination as to what should or shouldn’t be a keyframe but you usually want to pick something that is a dramatic or important pose in the animation. So if we’re doing someone leaping in ballet maybe we’d do 3 keyframes of before, in the middle of, and at the end of the jump.
Keyframes also tend to have the most detail of all of the frames within the action. You’ll find as you animate you can cut a lot of corners here and there, but the keyframes help by making sure the character you’re animating always goes back to a base and is grounded no matter how many smears you may use.
So what’s the benefit of using keyframes? Well, when you go to animate something it’s nice to know where you’re going. If you’re doing hand-drawn animation it can be easy to lose track of where an arm is supposed to be going in the action, and keyframes give you nice guides to follow so you can know where you should be moving all the bits and pieces as you animate
Possible to use electric to split water into oxygen and hydrogen before putting oxygen and hydrogen together to create electricity to power a water fuel cell car
My zodiac is a water sign my zodiac animal is a water animal my love interest is
a earth sign his zodiac animal a horse blue eyes white skin blonde hair taller than
me lost his father after the government killed him for inventing a water fuel car
my love rival sign fire pig she’s obsessed with the oil in milk hates drinking water
Wears oil on her skin loves oily food fish grease other anything with addictive
grease her dad works for a oil company the only job he’s capable of helping as
soon as he can’t work for oil again he’s jobless for the rest of his life sound familiar to any fans of water fuel cell car inventor fans?
Oilivia Petal is the alpha bitch of a rich American high school She only wears Make
up with oil on them She eats oily food every single day since she was a baby the
only healthy oily food she eats are real fish seafood and dairy milk almond oil she
loves petrol and Diesel cars because her dad is the CEO of one of most famous oil
companies in america Her worst female energy is Ran Sparkling Walter who has
Light blonde light blue eyes lightest skin slender stomach hourglass figure their
in a love triangle with one boy Erther Whole Envi one blue eye one green eye dark
brown hair white skin naturally handsome nerd taller than both girls muscular yet
slender deep mature handsome yet youthful cute light hearted voice popular with
Many health conscious hourglass women and health unconscious women all ages
flirtatious to usually physically attractive women only had many past girlfriends he
eventually falls in love with Ran Sparkling Walter obsessed with virginity he hates
Touching non virgin women many non Virgin women lie about being virgins to him
Hypocrite She laughs at Girls after watching them eat food with their mouth open
later when she does the same and after other girls laugh at her she calls them out
conveniently forgetting she did the exact same habit an hour ago Calls other girls
hypocrites by threatens to spray too much perfume on any girl calling her that so
Often flirts with men trying to make Ether jealous but when he flirts with any girls
She’ll try to spray too much Petal perfume on him to repel other girls with strong
smell of her Petal perfume other times she’ll try to step on his shoe with her high
Heels but he always avoids her effortlessly he didn’t call her out because he used
her to keep his mind alert for sudden danger but then threatens to expose her oil
Evil embarrassing secrets to the public if she ever tries to interfere in his life So
she reluctantly agreed feeling jealous of Ran Sparkling Walter for being Ether’s 1
true love interest She pays men to seduce Ran Sparkling Walter and never to tell
anyone she’s the one who actually sent them or they’ll never get free petrol again
Favourite drink water Favourite food healthy natural soup with water vegetables
Favourite habit writing with water ink in her books Favourite animal sea animals
favourite colour white favourite garden has a lot of grass favourite book nonfiction
Used to have a crush on a water scientist until his plans to cause pollution for his
own amusement profits business survival were revealed to the public then world
She loves watermelon apples strawberries any water fruits vegetables for her diet
25 January 2021 Monday I regret never boarding in a autistic school when I could
I wish I did boarding from 11 to 19 years old because I could spent more time with a Virgo Best friend A Gemini close friend teenagers older than me a teenage Sagittarius girl older than me more boys were there than girls a British Irish boy
a phillipene boy I should have had coach’s tutors before I became a teenager in
autistic school I miss all the irreplaceable memories I could have had with mature
funny interesting unique irreplaceable teenagers who were more mature than me
back than and not sure about now because they left This autistic school before becoming 18 years to But I must move on I Wish I did spend more time with all
Boarding key workers in autistic school because now it kills me to think about all
the irreplaceable moments we could have shared together birthday Christmas and
Halloween games going out to sleep somewhere else for 2 days I will warn every
autistic student please board for as long as you can while you’re healthy or regret
forever all the opportunities to create moments you will never get in life again
I should’be listened to Leo when I was 11 I wish I started with 100% commitment
to important habits visualization meditation taking notes often of insights before
They’re lost homeostasis is real you can’t fix problems without being aware of homeostasis If I die from coronavirus I hope I reincarnate into a family that eats only healthy food so we never need to worry about health problems ever again I wish I was living with a family that never eats or drinks any unhealthy food no matter what because unhealthy food are scams to make you spend money on temporary pleasure instant gratification instead of long term real fulfillment in life I wish to be born in the healthiest family committed to important books as though the books are their oxygen no matter which decade we grow in because books healthiest food water powered cars free electricity cars made of hemp 25 Jan 2021 If you want healthy children family make a healthy environment and earth
I wish I was born in my exact same year only this time with past memories
Perception chapter fanfiction 9 GIDDY
ALYA GRINNED MISCHIEF FLASHING IN HER EYES”OH JUST SOMETHING I GOT YOU AS A PRESENT!”
Marinette knew that look knew she wasn’t going to like WHATEVER PRESENT ALYA WAS GOING TO PULL FROM HER BAG SURE ENOUGH SHE PULLED OUT A PIECE OF PAPER AND OPENED IT!”
ALYA PROUDLY HELD UP HER GIFT LIKE A TROPHY AND CHUCKLED WHILE MARINETTE GROANED!
“ALYA WHAT THE HECK IS THAT!”MARINETTE DEMANDED crossing her arms over her chest in defiance
ALYA GAVE HER A WELL PRACTICED INNOCENT LOOK”OH JUST SOMETHING TO ADD A LITTLE VARIETY TO YOUR DECOR!”
MARINETTE SIMMERED IN SILENCE WHILE ALYA TAPED THE POSTER TO HER WALL ALONGSIDE HER LOVELY MAGAZINE CUT OUTS OF ADRIEN
“ALYA HOW AM I SUPPOSED TO GET ANYTHING DONE WITH CHAT NOIR STARING BACK AT ME ALL THE TIME!?”
MARINETTE COMPLAINED EARNING AN AMUSED GIGGLE FROM TIKKI
THE BRUNETTE SNORTED”Same way you get things done with Adrien staring back at you all the time!”
Marinette opened her mouth to argue but her face flushEd with embarrassment instead
She silently cursed her inability to play is cool while Alya let loose a DISTINCTLY
EVIL SOUNDING LAUGH!
ALYA:YOUR FIRST KISS WAS WITH CHAT NOIR?
MARINETTE:”I don’t really have anything to compare it to
Perception chapter
FULANI HOOPED BRAIDS FULANI AND MILKMAID BRAID COMBO
ONLY UNIQUE AFRICAN HAIRS FOR THIS GIRL FROM CONGO
DARK BROWN SKIN DARKEST BROWN HAIR BROWN EYES SPEAKS ALL
AFRICAN LANGUAGES FLUENTLY
BUT STILL FLUENT IN ENGLISH
SEARCH: Mom Braids Incredibly Intricate Hairstyles Every Morning before school
Website name fascinatingly
Funny feel good fascinating
BY STAFF March 8 2016 pretty little braids
braid around hea
heart braid on side of scalp with a ribbon
Goat or ram horn twin braid hairstyle
loop braids
Very often young Asian girls use it in their schools
Simply to learn how to be organized well composed and focused while creating
CREAMY CREAMY CREAMY CREAMY CREAMY CREAMY CREAMY LUXURIOUS CREAM
Braiding_curls Instagram
Mermaid bubble loop braids with rope twists August 31 2016 by Karen
One of my definite braids for one or two of my favourite female characters
either an Asian girl or a European girl
either one of my sister’s
best female friends or
exotic female ENEMIES
WHERE IS MY TIME NOT OPTIMAL?
ASK MYSELF
THIS
QUESTION
ABOUT
INFRASTRUCTURE
OPTIMAL DEFINITION!:Best or most favourable
WHEN IS MY TIME NOT BEST OR FAVOURABLE?
INFRASTRUCTURE
QUESTION
HOW TO BUILD YOUR INFRASTRUCTURE FOR SUCCESS this video 24:53 / 35 : 19
Actualized
19 February 2017
WHERE IS MY TIME NOT OPTIMAL,THROUGHOUT MY WEEK?
ASK
MYSELF
VIDEO
24 : 57 / 35 : 19
build your INFRASTRUCTURE for success
WHERE IS MY TIME NOT BEST OR FAVOURABLE THROUGHOUT MY WEEK?
WHERE AM I WORKING AGAINST MY VALUES?
24 :59 / 35 : 19
WHERE AM I LACKING ALIGNMENT WITH MY PURPOSE?
AND WHAT KIND OF INFRASTRUCTURE COULD I BUILD TO CORRECT THAT?
25: 07 / 35 : 19
TO HELP MEDICATE THAT?
JUST IMAGINE THAT
IF YOU ARE BUILDING YOUR INFRASTRUCTURE
AND YOU’RE DOING IT ON A WEEKLY BASIS
WEEK AFTER WEEK AFTER WEEK
MONTH AFTER MONTH AFTER MONTH
YEAR AFTER YEAR AFTER YEAR
IMAGINE
HOW POWERFUL YOU WILL BE
WHEN YOU HAVE THE
HARD INFRASTRUCTURE IN PLACE
AND THE
SOFT INFRASTRUCTURE IN PLACE
AND ALL OF IT
IS MAKING
LIVING YOUR VALUES
EASY
EFFORTLESS
AUTOMATIC
AND ALL OF IT IS SERVING YOUR PURPOSE
AND THAT
WHOLE THING IS
SNOWBALLING DOWN
DECADE AFTER DECADE AFTER DECADE
IMAGINE
HOW POWERFUL YOU WILL BE
HOW FULFILLING IT WILL BE
TO LIVE THAT KIND OF LIFE
SEE ONE OF THE PROBLEMS THAT VICTIMS FACE
IS THAT THEY
SHIRK RESPONSIBILITY!
THEY DON’T TAKE THE RESPONSIBILITY FOR BUILDING THE INFRASTRUCTURE!
AND THEY AVOID IT
AND SO
WHAT THEY DO IS
THEY GO PARTY
OR THEY IGNORE IT
OR THEY WATCH TV
RATHER THAN LEARNING
RATHER THAN BUILDING THEIR INFRASTRUCTURE
THEY’RE OUT THERE
WASTING THEIR TIME!
BECAUSE THEY THINK IT CAN’T BE DONE
THEY JUST DON’T WANT TO TAKE RESPONSIBILITY FOR THIS STUFF!
SEE
BECAUSE THEY SORT OF EXPECT
THAT THE INFRASTRUCTURE SHOULD ALREADY BE THERE,FOR THEM!
AS IF
YOU SHOULD BE BORN AND
ALREADY HAVE ALL THE INFRASTRUCTURE YOU NEED!
NOT AT ALL!
YOU NEED TO CONSTRUCT THE INFRASTRUCTURE!
YOU NEED
AND
YOU NEED TO TAILOR YOUR INFRASTRUCTURE (tailor means customize or
change for a particular purpose or person)
TO
WHAT YOUR OBJECTIVE IS IN LIFE!
NOBODY KNOWS
WHAT YOUR OBJECTIVE IS!
PROBABLY
YOU DON’T EVEN KNOW YET!
BUT ONCE YOU FIND OUT YOUR OBJECTIVE
WELL
THEN
THE JOB BEGINS OF
PLAYING THE FOUNDATION!
TAKING RESPONSIBILITY
MEANS THAT
YOU SAY
“I’M NOT GOING TO WAIT FOR ANYBODY ELSE OT THERE!
TO BUILD THE INFRASTRUCTURE THAT I NEED
TO CREAT SOME STAIRWAY TO MY DREAMS!”
spiritual folks fail in this regard
because
THEY FORGET ABOUT HE PRACTICAL ELEMENTS OF REALITY!
THEY GET SO
SPIRITUAL
AND
AIRY FAIRY
ABOUT IT!
THAT THEY JUST SAY
“WELL……..”
Maxiwrong says: I live in apartment complexes and use technology, yet a lot of it is religious, I don’t help everybody out, though I believe in magical elves, no one’s nose is in my business, my life works on me as the rugged individual on my own, I don’t do things as a group except co-existing in common with other people, I can enjoy life with the music apps on my phone, I don’t make sacrifices, and yes it is a burden, I learned the rituals and the customs, so this stage, stage purple, is false.
Max Gron says: I was in my history a stage purple, I was 20 years old and a sorcerer, a believer in Gaia, in nature, hippiedom, something of anti-Australianism, unconventional behaviour, reading and hearing of ayahuasca, and yaje, which are two versions of the same herbal mixed drink in the Amazon or in South America, so yes, I was at stage purple, I believed in magical elves, fairies and Santa Claus (I really do still believe in Santa Claus, he was a real person and a painter, and he was a sailor on a ship in the Netherlands), it was about living in the fairy realm, drinking magic tea which is hemp tea to get me high, and naked fairies with pussies, furthermore going to a new age shop to buy a book on wizardry, and also “The 21 Lessons Of Merlyn”, only in my thirties that I read it properly and followed the deeds in it, and used my spirit, that is, my thinking, to see something, rather than my eyes, nobdy believed me, they thought I was wrong and that Merlyn’s teachings is make-believe, a fantasy and a scam, all pagan cults are scams, I’m not buying into this anymore, but there’s still fairies and magic and one isn’t a Christian without, in disparaging way, knowing these things exist. I took along with me some of my old purple, red, and blue traits, perhaps it’s true that such things have a “kernel” of wisdom, I’d be a fool to reject it.
Max Gron says: Purple, more importantly, magic, what a concept, as well as divination (magic cards (tarot), scrying, fortune-telling, oil-burning, crystal balls, etc), this might be outside of my limited paradigm, but expanding it even more, it’s fantasy, make-believe, although if I utter a curse for bad luck to fall upon you, or rip you off to make you unlucky it might happen, like the curse of the forbidden doughnut on Homer Simpson, it’s strange and gruesome, and awful, it’s not a normal bit of adult themes, it’s horror and it’s scary, the Halloween versions of the Simpsons give me gosh-damn nightmares, but past all that the Devil’s at stage red, why we misunderstand Luciferians who themselves misinterpret it as evil? Because that cult and its followers is at stage red, which pretends to be a purple religion and innocent when it’s not, like sorcery and black mirror scrying, when it’s not like them at all. That’s why people misunderstand Luciferians and their cult, don’t confuse it with Lutherans, who are followers of Martin Luther, Luciferians are follows of the light-bearer, the morning star of Venus, they actually believe this, and they think this is the age of Aquarius, it’s not anything new, it’s foolish primitive juju, actually if it’s Gnostic Luciferianism it’s at stage purple and red at the same time, with a bit of orange. It’s supernaturalism, idealism and materialism at the same time, I’m not making any point, but stage purple isn’t a grip on reality, much like Gnostic Luciferians it’s living in a fantasy world about spirits, multiple gods, and one Luciferian equivalent of the Devil, named Diablo, who’s a negative force in that cult, so beware Diablo, they will say, all the cults are like this, like Luciferianism, they have a good God and its opposition, namely Diablo or Satan, as in Christianity, do you think this stuff is God? Beware the Devil tempting you, it’s a left-hand path incarnation of God, left-hand path is the devil, right-hand path is a gentle and loving God, therefore Christianity’s got a jealous left-hand path God and an even lefter devil.